Deception has been practiced by sellers since the beginning of the marketplace. Research in marketing ethics has established benchmarks and parameters forethical behavior that include honesty, full disclosure, equity, and fairness. Deception in marketing, however, has not received the same level of attention. This paper proposes to treat deception in marketing within the context of criminology. By examining deception in marketing within the context of criminology, additional insight can be gained into identifying its antecendents and the likelihood of its occurrence. (...) To this end, deception in marketing is interpreted under the empathy/harm matrix, Cressey’s fraud triangle, and the transparency/time-lag matrix. These frameworks are then combined into a diagram detailing antecedents affecting the likelihood of marketing agents participating in deceptive marketing actions. A number of propositions are presented. (shrink)

Barresi & Moore provide an impressive account of how the coordination of first and third person information about the self and other could produce an account of intentional relations. They are less explicit as to how the child comes to understand the basic epistemic relation between experience and knowledge, that is, how informational access causes belief. We suggest one route.

Gladstone's ideas are far more accessible for analysis now that, following the publication of his diaries, a record of his reading is available. This book traces the evolution of what the diaries reveal as the statesman's central intellectual preoccupations, theology and classical scholarship, as well as the groundwork of his early Conservatism and his mature Liberalism. In particular it examines the ideological sources of Gladstone's youthful opposition to reform before scrutinizing his convictions in theology. These are shown to have passed (...) through more stages than has previously been supposed: he moved from Evangelicalism to Orthodox High Churchmanship, on to Tractarianism and then further to a broader stance that eventually crystallized as a liberal Catholicism. His classical studies, focused primarily on Homer, also changed over time, from a version that was designed to defend a traditional worldview to an approach that exalted the depiction of human endeavour in the ancient Greek poet. An enduring principle of his thought about religion and antiquity was the importance of community, but a fresh axiom that arose from the modifications of his views was the centrality of all that was human. The twin values of community and humanity are shown to have conditioned Gladstone's rhetoric as Liberal leader, so making him, in terms of recent political thought, a communitarian rather than a liberal, but one with a distinctive humanitarian message. As a result of a thorough scrutiny of Gladstone's private papers, the Victorian statesman is shown to have derived a distinctive standpoint from the Christian and classical sources of his thinking and so to have left an enduring intellectual legacy. It becomes apparent that his religion, Homeric studies and political thought were interwoven in unexpected ways.The evolution of Gladstone's central intellectual preoccupations, with religion and Homer, is the theme of this book. It shows how the statesman developed from Evangelism to Orthodox High Churchmanship, on to Tractarianism and then further to a broader stance that eventually crystallized as a liberal Catholicism. It demonstrates also that his Homeric studies developed over time. Neither aspect of his thinking was kept apart from his politics. Gladstone's early conservatism emerged from a blend of classical and Christian themes focusing on the idea of community. While that motif persisted in his speeches as Liberal leader, the category of the human emerged from his religious and Homeric ideas to condition the presentation of his Liberalism. In Gladstone's mind there was an intertwining of theology, Homeric studies and political thought. (shrink)

Consensus has it that generic sentences such as “Dogs bark” and “Birds fly” contain, at the level of logical form, an unpronounced generic operator: Gen. On this view, generics have a tripartite structure similar to overtly quantified sentences such as “Most dogs bark” and “Typically, birds fly”. I argue that Gen doesn’t exist and that generics have a simple bipartite structure on par with ordinary atomic sentences such as “Homer is drinking”. On my view, the subject terms of generics (...) are kind-referring. The interesting truth conditions characteristic of generics arise from the interesting ways in which kinds inherit properties from their members. (shrink)

Comment la notion aristotelicienne de puissance s'est-elle constituee? Comment Aristote peut-il designer du meme nom de dynamis a la fois le principe du changement et l'etre en puissance en tant qu'il est distingue de l'etre en acte? L'histoire de la dynamis correspond-elle a l'effacement d'un sens primitivement intensif, qui serait celui de la force, au profit du sens aristotelicien de potentialite? Plutot que d'aborder ces questions dans les limites d'une lecture interne du Livre Theta de la Metaphysique sur la puissance (...) et l'acte, ou meme du corpus aristotelicien, la presente recherche plonge d'abord la notion de puissance dans son histoire pre-aristotelicienne, philosophique et non-philosophique. Si les termes d'energeia et d'entelekheia, par lesquels Aristote designe ce qui est en acte, sont des neologismes qui possedent la precision du vocabulaire technique, le mot dynamis appartient au grec courant et comporte une polysemie qui complique la comprehension de son usage. Ce livre veut articuler les sens philosophiques de cette notion chez Aristote a partir de son histoire depuis Homere et Hesiode, a travers Democrite, Xenophon ou encore le corpus hippocratique. Mais l'etude des principaux textes (poetiques, politiques, medicaux, mathematiques, philosophiques) est conduite selon un fil conducteur precis, dicte par l'emploi dominant de ce terme dans la clause restrictive kata dynamin (autant que je le peux). Les significations et l'histoire de la dynamis sont reevaluees a partir de ce nouveau point de depart. L'heritage platonicien est aussi pris en compte pour degager finalement le sens de la critique aristotelicienne de la puissance, qui met en lumiere son indetermination axiologique et ontologique, sans renoncer aux sens de capacite et de force. Nous ne cherchons pas a proposer une etude lexicographique, mais a situer la pensee aristotelicienne de la puissance et de l'acte dans une histoire conceptuelle, en esperant qu'elle gagnera ainsi en coherence et en clarte. (shrink)

Gladstone's ideas are far more accessible for analysis now that, following the publication of his diaries, a record of his reading is available. This book traces the evolution of what the diaries reveal as the statesman's central intellectual preoccupations, theology and classical scholarship, as well as the groundwork of his early Conservatism and his mature Liberalism. In particular it examines the ideological sources of Gladstone's youthful opposition to reform before scrutinizing his convictions in theology. These are shown to have passed (...) through more stages than has previously been supposed: he moved from Evangelicalism to Orthodox High Churchmanship, on to Tractarianism and then further to a broader stance that eventually crystallized as a liberal Catholicism. His classical studies, focused primarily on Homer, also changed over time, from a version that was designed to defend a traditional worldview to an approach that exalted the depiction of human endeavour in the ancient Greek poet. An enduring principle of his thought about religion and antiquity was the importance of community, but a fresh axiom that arose from the modifications of his views was the centrality of all that was human. The twin values of community and humanity are shown to have conditioned Gladstone's rhetoric as Liberal leader, so making him, in terms of recent political thought, a communitarian rather than a liberal, but one with a distinctive humanitarian message. As a result of a thorough scrutiny of Gladstone's private papers, the Victorian statesman is shown to have derived a distinctive standpoint from the Christian and classical sources of his thinking and so to have left an enduring intellectual legacy. It becomes apparent that his religion, Homeric studies and political thought were interwoven in unexpected ways.The evolution of Gladstone's central intellectual preoccupations, with religion and Homer, is the theme of this book. It shows how the statesman developed from Evangelism to Orthodox High Churchmanship, on to Tractarianism and then further to a broader stance that eventually crystallized as a liberal Catholicism. It demonstrates also that his Homeric studies developed over time. Neither aspect of his thinking was kept apart from his politics. Gladstone's early conservatism emerged from a blend of classical and Christian themes focusing on the idea of community. While that motif persisted in his speeches as Liberal leader, the category of the human emerged from his religious and Homeric ideas to condition the presentation of his Liberalism. In Gladstone's mind there was an intertwining of theology, Homeric studies and political thought. (shrink)

Offers philosophical and psychological reflections on cruelty and tenderness. The Cudgel and the Caress explores the enduring significance of tenderness and cruelty in a range of works across philosophy, psychoanalysis, and literature. Divided into two parts, the book initially focuses on tenderness, with David Farrell Krell delivering original readings of Homer’s Iliad, Sophocles’s Antigone, and writings by Hölderlin, Hegel, Freud, and Derrida that deal with the importance of tenderness and the tragic consequences of its absence. Part One concludes (...) with an extended reading of Robert Musil’s Man Without Qualities, in which Krell analyzes the tender relationship between Ulrich and Agathe. In Part Two, Krell begins by examining Otto Rank’s Birth Trauma, which reflects on the tenderness of gestation in the womb and the cruel necessity of birth. He then turns to an examination of cruelty in general, focusing on Derrida’s challenge to contemporary psychoanalysis, his opposition between Kant and Nietzsche, and his analysis (and indictment) of the death penalty. Groundbreaking and insightful, the book provides a rare philosophical treatment of subjects vital to the world we live in. David Farrell Krell is Emeritus Professor of Philosophy at DePaul University and Brauer Distinguished Visiting Professor of German Studies at Brown University. (shrink)

‘Everyone who now reads and writes in the West, of whatever racial background, sex or ideological camp, is still a son or daughter of Homer.’ While the extent to which this claim is accurate has been disputed, it is not wrong in our own day to grant the highest honours for ongoing influence to the author of theIliad. All the more so in Late Antiquity, a period frequently viewed as hermetically isolated from the classical world, but which resolutely viewed (...) itself as part of that unbroken cultural and literary continuum. One of those who made repeated use of Homer's epic was the Emperor Julian, one of the most prolific writers among Rome's emperors. In the fourth centurya.d., Homer's influence was still predominant, not only being Julian's favourite and most frequently cited author but also forming for Libanius of Antioch ‘one of the pillars of rhetorical teaching’. Despite Glen Bowersock's statement that Julian's many writings offer unique insight into his character and disposition, Julian is still a historical character who is not easy to ‘know’. Julian's life was shaped by the murder of his father, brothers and uncles by a cabal involving, if not orchestrated by, his cousin Constantius II. This was followed by the removal of his trusted confidant Salutius, again by Constantius. These experiences exhibit an unusual phenomenon, in that, when Julian referred to them, they were prefaced by a spate of Homeric allusions. Julian's wrath at people taken from him was both genuine and politically useful, but the expression of it was dangerous enough that he expressed it obliquely in the language of Homer. These citations and allusions, drawn primarily from theIliad, were far more than Julian's flaunting of his education, but were rather a tool for subtly conveying his desired message, a message with strong political tones. I will treat these passages in the order in which Julian wrote them, although that places the events reminisced about in the reverse order. (shrink)

The battlefield and wartime conditions often challenge physicians as to their understanding and commitment to the ethics of medicine. In Homer's Iliad we read of the first physicians on the battlefield before the walls of Troy, the sons of Asclepius, Machaon, and Podalirius. In his 16th century autobiography, Ambroise Paré recounts the first case of battlefield euthanasia of the wounded and of posttraumatic stress disorder and was renowned for his skill and humanity in the care of his soldiers. Dominique (...) Larrey established the principles of triage of the wounded during the Napoleonic wars. It is out of warfare that the Geneva Convention and the Red Cross emerged. But what does history tell us about the ethical dilemmas of the military physician? Should prisoners receive care equal to that given to one's own troops? Can torture be used to extract information that may save lives? Is it ethical to enslave captured soldiers? Is the doctrine of the double effect valid as originally applied to war? Should a physician's ethics require him or her to speak out against perceived violations? This paper explores these issues from a historical perspective and I seek the voices of soldiers in the field wherever possible. (shrink)

We review the famous no-hidden-variables theorem in von Neumann’s 1932 book on the mathematical foundations of quantum mechanics. We describe the notorious gap in von Neumann’s argument, pointed out by Hermann and, more famously, by Bell. We disagree with recent papers claiming that Hermann and Bell failed to understand what von Neumann was actually doing.

Preface: what is just theory? -- Introduction: framing the common good -- Cultural turn 1. Inventing western metaphysics -- Why is Plato so upset at the poets, and what is western metaphysics? -- Reframing the republic : from the homeric to the platonic paideia -- Finding love (and writing) in all the wrong places : Plato's pharmacy and the double-edged sword of literacy in the Phaedrus -- Aristotle's natural classification of things : when dialectic trumps rhetoric and poetry gets rescued (...) -- Cultural turn 2. Rewriting western metaphysics : aesthetics and politics in the age of capital -- Rewriting western metaphysics for a revolutionary age -- The prelude to the revolution : the limits of literary freedom in a market society -- Women's rights, class wars, and the master-slave dialectic : signs of the rising countermovements -- The struggle between communality and hierarchy : lessons of the paris commune for the twenty-first century -- From God's great chain to nature's slow-motion evolution : reframing our regulative fictions -- Cultural turn 3. Surviving the sixth extinction and resolving the crisis of care -- Epilogue. (shrink)

In the 23rd book of the Iliad, Menelaus loses second place in the chariot race because of a manoeuvre by Antilochus. So, after Antilochus claims the second prize as his and dares others to fight him for it with their fists, Menelaus rises before the assembled heroes, sceptre in hand, to initiate a formal proceeding against him . First he makes the charge: Antilochus has insulted his aretē and endangered his horses. He then calls upon the leaders of the Argives (...) to judge fairly between them. But at this point he states that he will judge the case himself – in both instances the verb for ‘to judge’ is δικάζειν. He then calls on Antilochus to follow an involved procedure and finally to swear an oath that in running the race he did not purposefully use a trick. But despite the fact that Menelaus said during the race that Antilochus would not take the prize without swearing an oath , we do not know later what the result might be if Antilochus were to accept Menelaus' challenge and to swear the oath. Homer has him sidestep the challenge and concede the prize. (shrink)

About a year before the pandemic struck, personal archives of Anton Sovre (1885–1963) were rediscovered, and they eventually made their way to the National and University Library in Ljubljana. During the fifties, Anton Sovre was the undisputed éminence grise of the field of classics in Slovenia and among the new sources now available to researchers is an essay on “Perspective Development of Classical Philology” from 1959. The document was written in the tradition of the Five-Year Plans, and its rhetoric is (...) often amusing. Its content, however, was written mainly by Sovre’s best student. At that time, Kajetan Gantar (1930–2022) had already defended his PhD thesis on Homer. Due to political reasons, he was initially blocked from getting a university position. However, the situation changed somewhat during the thaw in the sixties, when he could finally get the position of lecturer, and he eventually became the leading classical scholar and translator in the country and Sovre’s successor. His proposal for the future of the discipline shows strategic thinking, which was confirmed by the decades that followed. (shrink)

Modernism in legal theory is no different from modernism in the arts: both respond to a cultural crisis, a sense that institutions and traditions have lost their validity. Some doubt the importance of the rule of law, others question the objectivity of legal reasoning. We have lost confidence in the justice of our legal institutions, and even in our very capacity to identify justice. Legal philosopher David Luban argues that we cannot escape the modernist predicament. Accusing contemporary legal theorists (...) of evading rather than confronting the challenge of modernity, he offers important and original objections to pragmatism, traditionalism, and nihilism. He argues that only by weaving together the broken narrative and forgotten voices of history's victims can we come to appreciate the nature of justice in modern society. Calling a trial the embodiment of the law's self-criticism, Luban demonstrates the centrality of narrative by analyzing the trial of Martin Luther King, the Nuremberg trials, and trial scenes in Homer, Hesiod, and Aeschylus. With these examples, Luban explores several of the tensions that motivate much more contemporary legal theory: order versus justice, obedience versus resistance, statism versus communitarianism. "... an illuminating account of how contemporary legal theory can be understood as an expression of 'the modernist predicament' by exploring the analogy between modernism in the arts and modernism in law, politics, and philosophy.... a valuable critical discussion of modern legal theory." --Choice David Luban is Morton and Sophia Macht Professor of Law at the University of Maryland and Research Scholar at the Institute for Philosophy and Public Policy. His other books include Lawyers and Justice: An Ethical Study. (shrink)

Ancient commentators identify several passages in the Iliad as “epigrams.” This paper explores the consequences of taking the scholia literally and understanding these passages in terms of inscription. Two tristichs spoken by Helen in the teikhoskopia are singled out for special attention. These lines can be construed not only as epigrams in the general sense, but more specifically as captions appended to an image of the Achaeans encamped on the plain of Troy. Since Helen's lines to a certain extent correspond (...) to the function and style of catalogic poetry, reading them specifically as captions leads to a more nuanced understanding of both Homeric poetry and Homeric self-reference. By contrasting Helen's “epigrams” with those of Hektor, one can also discern a gender-based differentiation of poetic functions. (shrink)

_Ranging from Homer to Picasso, and from the Iranian Revolution to _The Wizard of Oz_, this spirited and radiant book awakens us anew to the role of color in our lives_ Our lives are saturated by color. We live in a world of vivid colors, and color marks our psychological and social existence. But for all color’s inescapability, we don’t know much about it. Now authors David Scott Kastan and Stephen Farthing offer a fresh and imaginative exploration of (...) one of the most intriguing and least understood aspects of everyday experience. Kastan and Farthing, a scholar and a painter, respectively, investigate color from numerous perspectives: literary, historical, cultural, anthropological, philosophical, art historical, political, and scientific. In ten lively and wide-ranging chapters, each devoted to a different color, they examine the various ways colors have shaped and continue to shape our social and moral imaginations. Each individual color becomes the focal point for a consideration of one of the extraordinary ways in which color appears and matters in our lives. Beautifully produced in full color, this book is a remarkably smart, entertaining, and fascinating guide to this elusive topic. (shrink)

Right so far as Homer is concerned, and Paulus, a poet of Justinian's court best known for his epic poem composed on the occasion of the rededication of the Church of St Sophia, clearly evokes Callinus. But the commentators have overlooked the pointed use of μχρι τυος + the present indicative in Achilles Tatius’ τᾰ κατᾰ Λευκππην κα κλειοøντα. Examination of the examples there suggests that Achilles Tatius could make greater demands on his readers than is sometimes generally assumed (...) for the Greek novelists. (shrink)

The dorsal turn -- Facades of the other : Heidegger, Althusser, Levinas -- No one home : Homer, Joyce, Broch -- A line drawn in the ocean : Exodus, Freud, Rimbaud -- Friendship in torsion : Schmitt, Derrida -- Revolutions in the darkroom : Balázs, Benjamin, Sade -- The controversy of dissidence : Nietzsche.

The paper offers a new approach to utopia in early and classical Greek texts from Homer to the fifth century. The model is based on four motifs regularly occurring in ‘utopian texts’, that is, descriptions of places that are distant in time and/or space. A comparative analysis of such texts and of how they manipulate the four motifs sheds new light on specific problems and encourages more nuanced readings of famous texts, such as Homer's account of Scheria.

Ancient commentators identify several passages in the Iliad as “epigrams.” This paper explores the consequences of taking the scholia literally and understanding these passages in terms of inscription. Two tristichs spoken by Helen in the teikhoskopia are singled out for special attention. These lines can be construed not only as epigrams in the general sense, but more specifically as captions appended to an image of the Achaeans encamped on the plain of Troy. Since Helen's lines to a certain extent correspond (...) to the function and style of catalogic poetry, reading them specifically as captions leads to a more nuanced understanding of both Homeric poetry and Homeric self-reference. By contrasting Helen's “epigrams” with those of Hektor, one can also discern a gender-based differentiation of poetic functions. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Friendship in the Classical World by David KonstanDavid K. GliddenDavid Konstan. Friendship in the Classical World. Cambridge: Cambridge University Press, 1997. Pp. xiv + 206. Paper, $18.95.Despite its brevity, Konstan’s history of friendship in classical antiquity speaks volumes. With admirable precision and economy of expression, Konstan cites and surveys scores of ancient authors—poets, playwrights, politicians, novelists and historians, sophists, satirists, philosophers, and theologians—from Homer’s legendary portrait (...) of Achilles and Patroclus to the Christian fusions of Venantius Fortunatus in the sixth century of the common era. An impressive array of anthropologists, philosophers, and classical scholars enter into the discussion at specific interstices connecting philology, textual interpretation, ancient history, and modern social psychology all together, so as to display an evolving array of ancient philosophies, faiths, and attitudes concerned with friendly relations of one sort or another. Konstan grounds this history in a richly informed context of exacting detail. Yet, he charitably leaves his reader with the feeling that so much more needs to be explored.At the same time, what largely motivates this work is Konstan’s demonstrable conviction that ancient friendship exhibits recognizable resemblances with its contemporary counterpart, notwithstanding all the varieties exhibited over the fifteen hundred years or so of ancient Greek and Roman practices. “Ideas of friendship were adapted to different practices, but the core sense of a private bond based on mutual affection, esteem, and liberality—within the capabilities of the respective partners—abided” (148). What is foreign in ancient human relations may be considerable, but it [End Page 359] does not efface what remains familiar and what continues to be prized about the company of friends. Regardless of the peculiarities of ancient political associations, protocols of reciprocity, the relations of clients to their patrons, strains between honesty and flattery, divided loyalties among families, friends, and countries, and the dramatic effects of early Christianity on human relations when faced with a relationship to God, there is, all the same, something comfortably familiar about the ways friends related to one another throughout the ancient world. This abides even in the face of ancient/modern barriers segregating friendships from, say, sexual relationships or restricting friendships across genders, or so it would seem.Konstan’s anthropological approach employs an approximating master concept of friendship with which to tie his story together, a conception which places great emphasis on “mutual affection, esteem, and liberality.” Aristotle’s understanding of friendship consequently plays a special role in this history, both as an influential model within antiquity and also as a vehicle for Konstan’s own narrative construction.Aristotle famously portrayed a prototype of human friendship in which persons are bound together first and foremost by a personal affinity due in large part to the content of their character, in contrast to those who are friends for lesser reasons, due to usefulness or pleasure. At the same time, Aristotle’s focus on virtue friendship as a primary vehicle for fathoming other varieties of human relations became something of a self-fulfilling methodology. Armed with such a normative model, a philosophical anthropologist would then rank other varieties of human relations accordingly, as lesser forms of friendship. Aristotle’s template serves Konstan’s purpose nicely, since he too sees character affinity as primary to the various ways we human beings relate with one another. Yet, normative ideals of what friendship ought to be when at its best inevitably affect, in turn, how we read the ways friends are and were historically.Following Aristotle, Konstan lays great emphasis on the originating Greek conception of the friend (philos as a noun), as opposed to the various instantiations of whatever objects may be loved or cherished generally (philos as an adjective). So too, the broader, underlying account of caring (philein the verb; philia the abstracted noun) is displaced as well, to maintain a steady focus on the living witness of friends, both real and ideal. While this tidy terminological division between philos (noun) and philos (adjective) might work well for Aristotle and for Konstan, Plato found it less appealing. And it was Plato’s Lysis, after all, that Aristotle’s originating model of friendship was responding to. Had a modern... (shrink)

Reads Presocratics such as Homer, Anaximander, Anaximenes, Parmenides, Heraclitus, and Empedocles from within the realm opened up by Heidegger's thinking.

This book rescues Joubert from the ranks of minor French moralistes, and, by tracing the development of his thought from his time as secretary to Diderot through to the period of his association with Chateaubriand, demonstrates that he was a writer on aesthetics of considerable sensitivity. -/- Examination of his manuscripts and of his annotation to books in his library shows that Joubert's primary concern, during the period that witnessed the gradual but profound change from the intellectual values of the (...) Enlightenment to those of the Romantic period, was to establish the status and nature of art and poetry. Reading widely among philosophers and poets from Plato and Homer to Kant and André Chénier, Joubert consigned his thoughts and perceptions to a series of carnets which form the basis of this study and bear witness to an unusually eclectic and enquiring mind. -/- Joubert's significance is not confined to the Enlightenment and Romantic periods. He is unique among writers of his day in the way that his own interrogation of the very act of writing anticipates the aesthetic of later, highly influential writers such as Mallarmé. (shrink)

It seems to be widely agreed by modern scholars that when Solon created his four census-classes in early sixth-century Athens he gave to at least three of them – the ππες, the ζευγται and the θτες – names which were in pre-existing use there. But what, if so, did the names signify, before being assigned their new, official, quantitative Solonic sense? The archaic Athenian θτες were presumably recognizably akin to their Homeric and Hesiodic namesakes; and despite the etymological obscurity of (...) the word in any event, in practical terms it will have denoted men who by all relevant social, economic or military tests scored a negligible rating. In the case of higher scorers, however, it becomes important for us to discover precisely which criteria are being applied, and so it is the ππες and the ζευγται who have always posed the main interpretative puzzle. For the ζευγται Ehrenberg put it succinctly enough: ‘the zeugitai can be explained either as those who owned a pair of oxen under the yoke or those who are joined to their neighbours in the ranks of the phalanx’. Both these explanations – for convenience I shall call them the agricultural and the military – have indeed long had, and continue to have, their adherents. Most of the great nineteenth-century students of Staatsaltertümer took the agricultural line, usually without argument; and the standard lexica still do. In 1894, however, Conrad Cichorius made out a strong case for the military explanation, and he has had many followers, both witting and unwitting. (shrink)

Few categories are as useful for illuminating the whole complex of correlative intellectual, spiritual and political problems of the modern world as the opposites of time and eternity. Tom Darby has made impressive use of the dialectic of time and its overcoming in the “eternal instant” not only to analyse the central preoccupations of Rousseau, Hegel and others, but also to reveal their representative significance within the peculiarly modern concern with existence. One is reminded of the Homeric distinction between men (...) and gods as that of mortals versus immortals, which was replaced by the Platonic redefinition of man as the mortal immortal who lives in the tension between life and death. For it is precisely the rejection of that tension that has formed the self-understanding of Western man since the Renaissance and has so completely absorbed the interest of the thinkers covered by Darby’s study. The search for perfection in individual and political existence is in essence the desire to escape the temporality of the human condition. Imperfection, finiteness, contingency and death are the inescapable fate of all creatures that live within time. It is only by escaping temporality that we can aspire to the being of eternity which, in Boethius’s formulation, is “the simultaneously whole and perfect possession of interminable life”. (shrink)

Few categories are as useful for illuminating the whole complex of correlative intellectual, spiritual and political problems of the modern world as the opposites of time and eternity. Tom Darby has made impressive use of the dialectic of time and its overcoming in the “eternal instant” not only to analyse the central preoccupations of Rousseau, Hegel and others, but also to reveal their representative significance within the peculiarly modern concern with existence. One is reminded of the Homeric distinction between men (...) and gods as that of mortals versus immortals, which was replaced by the Platonic redefinition of man as the mortal immortal who lives in the tension between life and death. For it is precisely the rejection of that tension that has formed the self-understanding of Western man since the Renaissance and has so completely absorbed the interest of the thinkers covered by Darby’s study. The search for perfection in individual and political existence is in essence the desire to escape the temporality of the human condition. Imperfection, finiteness, contingency and death are the inescapable fate of all creatures that live within time. It is only by escaping temporality that we can aspire to the being of eternity which, in Boethius’s formulation, is “the simultaneously whole and perfect possession of interminable life”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:122 HISTORY OF PHILOSOPHY the godlike in himself. No longer would his serf-alienation be put at a distance and reified so that it overpowers him. No longer would a world without aim and without meaning compel him to refer aim and meaning to transmundane powers, Transcendental aims and meanings are not known and are not needed: the innocence of becoming, whose moments are equally valuable or valueless since there (...) is nothing wherewith to measure them, is the higher condition of man. For only an as yet meaningless world is receptive to the bestowal of new meaning, and only in such a world can man discover his true self-image--as sole creator of meanings. All this is carefully pieced together and supported by well-chosen texts. Professor Wein is on shaky ground, however, when he claims that Christ, not Dionysus, is the proper symbol of Nietzschean affirmation. Wein observes, quite rightly, that Nietzsche's affirmations were never clearly conceptualized, that they find expression almost wholly in moments of poetic ecstasy. But Nietzsche's lyrical outbursts are thoroughly Dionysian in character. Moreover, not only is Nietz.sche's representation of Christ as immanentist yea-sayer extremely forced, but Nietzsche's own denigration of human mutuality, of which Wein is critical, cannot be reconciled even with the distorted image of Christ which Nietzsche cherished. But that is a minor flaw (in spite of the subtitle) in an otherwise sensitive and searching essay. Elucidations rather than obfuscations of "what Nietzsche meant" are hard to come by. PE'rER Fuss University of California, Riverside Dooyeweerd and the Amsterdam Philosophy. By R. H. Nash. (Grand Rapids, Michigan: Zondervan Publishing Co., 1962. $2.50.) Dooyeweerd and the Amsterdam Philosophy provides a brief synopsis and critical discussion of several of the major tenets of the new School of Augustinian philosophy set forth by the Dutch philosopher, Herman Dooyeweerd, in his four-volume work A New Critique of Theoretical Thought. The central thesis defended by Dooyeweerd is the assertion that philosophy cannot be religiously neutral. Theoretical insight into the coherence of the aspects of the temporal world can be acquired, if, and only if, the philosopher answers questions about the ultimate origin of the world and his own relation to that origin. To reach a decision with respect to the origin of the world, both in its diversity and unity, requires an act of religions faith. The motive of form and matter, which dominated the classical Greek world, arose out of the encounter between the pre-Homeric religion of life and the cultural religion of the Olympic gods. Modern humanism, in contrast, has absolutized the theoretical attitude of thought and secularized the Christian idea of creation and freedom, thereby giving rise to a polar tension between a "Faustian" passion to dominate reality by scientific method and the notion of freedom, expressed in the absolute sovereignty of human personality. Within humanism reason is made the origin of the world, the giver of law. The ascription of primacy to the ideal of science may lead to the hypostatization of the categorical imperative, or to the absolutization of special forms of scientific thought. However, when primacy is ascribed to the ideal of human personality, transcendental thought may BOOK REVIEWS 123 become the origin of the norms of moral freedom and the formal origin of the laws os nature. The totality of the world may be interpreted in terms of the homo noumenon, or in terms of a totality of values, in terms of feeling or as the historical stream of experience. The interrelationship between the various aspects of reality is misconstrued by humanism when the modal laws of the world are absolutized, and a single aspect is made the basic denominator of reality. The neo-Augustinian philosophy of Dooyeweerd recognizes the priority of faith and would unmask the alleged neutrality of theoretical reason as a dogma concealing the religious foundations of theoretical thought. The Archimedean point of Dooyeweerd's philosophy is not cogito ergo sum, nor vivo in [luxu continuo, etiam cogitans, but it is rather: Ego, in Christo regeneratus, etiam cogitans ex Christo vivo. The heart in its Biblical sense is the religious root and center of human existence... (shrink)

Recovering Reason: Essays in Honor of Thomas L. Pangle is a collection of essays composed by students and friends of Thomas L. Pangle to honor his seminal work and outstanding guidance in the study of political philosophy. These essays examine both Socrates' and modern political philosophers' attempts to answer the question of the right life for human beings, as those attempts are introduced and elaborated in the work of thinkers from Homer and Thucydides to Nietzsche and Charles Taylor.